| Rig Veda | Sama Veda | Yajur Veda | Atharva Veda | |
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The hymns of the Rig Veda are considered the oldest and most important of the Vedas, having been composed between 1500 BC and the time of the great Bharata war about 900 BC. More than a thousand hymns are organized into ten mandalas or circles of which the second through the seventh are the oldest and the tenth is the most recent. The Hindu tradition is that even the Vedas were gradually reduced from much more extensive and ancient divine revelations but were perverted in the recent dark age of Kaliyuga. As the only writings from this ancient period of India they are considered the best source of knowledge we have, but the ethical doctrines seem to have improved from the ancient hymns to the mystical Upanishads. Essentially the Rig Veda is dominated by hymns praising the Aryan gods for giving them victories and wealth plundered from the local Dasas through warfare. The Aryans apparently used their advances in weaponry and skill in fighting to conquer the agricultural and tribal peoples of the fading Harappan culture. Numerous hymns refer to the use of horses and chariots with spokes which must have given their warriors a tremendous advantage. Spears, bows, arrows, and iron weapons are also mentioned. As a nomadic and pastoral culture glorifying war they established a new social structure of patriarchal families dominated by warriors and, eventually with the power of the Vedas themselves, by priests also. The Rig Veda does mention assemblies, but these were probably of the warrior elite, which may have had some controlling influence on the kings and the tribal priest called a purohita. The gods worshipped resemble the Indo-European gods and were headed by the powerful Indra, who is often credited with destroying ninety forts. Also popular was Agni, the fire-god considered a messenger of the gods. Varuna and Mitra, the gods of the night and day sky have been identified with the Greek Uranos and the Persian Mithras respectively. Dyaus, who is not mentioned nearly as often, has been correlated with the Greek Zeus. Surya the sun-god is referred to as the eye of Varuna and the son of Dyaus and rides through the sky on his chariot led by his twin sons, the Asvins who represent his rays; Ushas the dawn is his wife or daughter. Maruts are storm-gods shaped by Rudra, who may have been one of the few indigenous deities adopted by the Aryans. Like the Iranian Avesta, the Rig Veda refers to the thirty-three gods. Generally the hymns of the Rig Veda praise the gods and ask them for worldly benefits such as wealth, health, long life, protection, and victory over the Dasa peoples.
He,
self-reliant, mighty and triumphant, They call upon Brihaspati or Brahmanaspati, who has been related to a Hittite thunder-god, to avenge the sinner and protect them from the deceitful and wicked man. The Aryans did have a concept of eternal law called rita, which the immortal Agni in serving the gods is said to never break (Rig Veda III:3:1). In Rig Veda III:34:9 Indra killed the Dasyus and "gave protection to the Aryan color." Not only did the Aryans shamelessly pray for booty in war, but they based their militarily won supremacy on the lightness of their skin color compared to the dark colors of the native Dasyus. They arrogantly proclaimed, "Let those who have no weapons suffer sorrow." (Rig Veda IV:5:14.)
Renowned
is he when conquering and when slaying: Indra is praised for killing thousands of the abject tribes of Dasas with his arrow and taking great vengeance with "murdering weapons." (Rig Veda IV:28:3-4) One hymn mentions sending thirty thousand Dasas "to slumber" and another hymn sixty thousand slain. A hymn dedicated to the weapons of war (Rig Veda VI:75) refers to a warrior "armed with mail," using a bow to win cattle and subdue all regions, "upstanding in the car the skillful charioteer guides his strong horses on whithersoe'er he will." The arrows had iron mouths and shafts "with venom smeared" that "not one be left alive." Hymn VII:83 begins, "Looking to you and your alliance, O ye men, armed with broad axes they went forward, fain for spoil. Ye smote and slew his Dasa and his Aryan enemies." Only occasionally did the authors of these hymns look to their own sins.
Free
us from sins committed by our fathers, A hymn to the frogs compares the repetitions of the priests around the soma bowl to the croaking of the frogs around a pond after the rains come. (Rig Veda VII:103) The basic belief of the prayers and sacrifices is that they will help them to gain their desires and overcome their enemies, as in Rig Veda VIII:31:15: "The man who, sacrificing, strives to win the heart of deities will conquer those who worship not." Some awareness of a higher law seems to be dawning in the eighth book in hymn 75: "The holy law hath quelled even mighty men of war. Break ye not off our friendship, come and set me free." However, the enemies are now identified with the Asuras and still are intimidated by greater weapons: "Weaponless are the Asuras, the godless: scatter them with thy wheel, impetuous hero." (Rig Veda VIII:85:9) Many of the hymns refer to the intoxicating soma juice which is squeezed from the mysterious soma plant and drank. All of the hymns of the ninth book of the Rig Veda are dedicated to the purifying soma, which is even credited with making them feel immortal, probably because of its psychedelic influence. The first hymn in this book refers to the "iron-fashioned home" of the Aryans. In the first book of the Rig Veda the worshipers recognize Agni as the guard of eternal law (I:1:8) and Mitra and Varuna as lovers and cherishers of law who gained their mighty power through law (I:2:8). In the 24th hymn they pray to Varuna, the wise Asura, to loosen the bonds of their sins. However, the prayers for riches continue, and Indra is thanked for winning wealth in horses, cattle, and gold by his chariot. Agni helps to slay the many in war by the hands of the few, "preserving our wealthy patrons with thy succors, and ourselves." (Rig Veda I:31:6, 42) Indra helped win the Aryan victory:
He,
much invoked, hath slain Dasyus and Simyus, Control of the waters was essential for agricultural wealth. Indra is praised for crushing the godless races and breaking down their forts. (Rig Veda I:174) In the tenth and last book of the Rig Veda some new themes are explored, but the Dasyus are still condemned for being "riteless, void of sense, inhuman, keeping alien laws," and Indra still urges the heroes to slay the enemies; his "hand is prompt to rend and burn, O hero thunder-armed: as thou with thy companions didst destroy the whole of Sushna's brood." (Rig Veda X:22) One unusual hymn is on the subject of gambling with dice. The speaker regrets alienating his wife, wandering homeless in constant fear and debt, envying others' well-ordered homes. He finally warns the listener not to play with dice but recommends cultivating his land. (Rig Veda X:34) Hymn 50 of this most recent last book urges Indra to win riches with valor "in the war for water on their fields." Now the prayer is that "we Gods may quell our Asura foemen." (Rig Veda X:53:4) A wedding ceremony is indicated in a hymn of Surya's bridal, the daughter of the sun. (Rig Veda X:85) The first indication of the caste system is outlined in the hymn to Purusha, the embodied human spirit who is one-fourth creature and three-fourths eternal life in heaven.
The
Brahman was his mouth, The
Brahman caste was to be the priests and teachers; the Rajanya represents
the king, head of the warrior or Kshatriya caste; Vaisyas are the
merchants, craftsmen, and farmers; and the Sudras are the workers. In hymn
109 the brahmachari or student is mentioned as engaged in duty as a
member of God's own body.
The
riches of the liberal never waste away, But
later we realize that the priests are asking for liberality to support
their own services, for the "plowing makes the food that feeds
us," and thus a speaking (or paid) Brahman is better than a silent
one.
Where,
like men cleansing corn-flour in a cribble, In hymn 125 of the tenth mandala Vak or speech claims to have penetrated earth and heaven, holding together all existence. A philosophical hymn of creation is found in Rig Veda X:129. Beginning from non-being when nothing existed not even water nor death, that One breathless breathed by itself. At first this All was concealed by darkness and formless chaos, but by heat (tapas) that One came into existence. Thus arose desire, the primal seed and germ of Spirit. Sages searching in their hearts discovered kinship with the non-existent. A ray of light extended across the darkness, but what was known above or below? Creative fertility was there with energy and action, but who really knows where this creation came from? For the gods came after the world's creation. Who could know the source of this creation and how it was produced? The one seeing it in the highest heaven only knows, or maybe it does not.
The Sama Veda contains the melodies or music for the chants used from the Rig Veda for the sacrifices; almost all of its written verses are traceable to the Rig Veda, mostly the eighth and ninth books and most to Indra, Agni, or Soma. These are considered the origin of Indian music and probably stimulated great artistry to make the sacrifices worthwhile to their patrons who supported the priests. The Sama Veda helped to train the musicians and functioned as a hymnal for the religious rites. The animal sacrifices did not use the Sama chants, but they were used extensively in agricultural rites and in the soma rituals for which the plant with inebriating and hallucinogenic qualities was imported from the mountains to the heartland of India. By this time the priests were specializing in different parts of the sacrifices as professional musicians and singers increased. The singing was like the strophe, antistrophe, and epode of the Greek chorus and used the seven tones of the European scale. By the tenth century BC the Aryans had invaded most of northern India and once again trade resumed with Babylon and others in the near east. As the sacrifices became more complex, the priestly class used them to enhance their role in the society. Many considered this musical portion the most important of the Vedas.
Though also following many of the hymns of the Rig Veda, the Yajur Veda deviates more from the original text in its collection of the ritual formulas for the priests to use in the sacrifices, which is what yaja means. It explains how to construct the altars for new and full moon sacrifices and other ceremonies. The Yajur Veda has two collections or samhitas called White and Black, the latter being more obscure in its meanings. By this time (10th century BC and after) the Aryan conquest has proceeded from the northwest and Punjab to cover northern India especially the Ganges valley. The caste system was in place, and as the warriors settled down to ruling over an agricultural society, the role of the priests and their ceremonies gained influence and justified the Aryan ways to the native workers, who labored for the farmers, merchants, craftsmen, who in turn were governed by their kings and priests. Land and wealth were accumulated in the hands of a few ruling families, and with food scarce the indigenous people were enslaved or had to sell their labor cheap to the ruling classes. By instituting more elaborate sacrifices for their wealthy patrons, the priests could grow both in numbers and wealth as well. The famous horse sacrifice was not celebrated often but was used by a king to show his lordship over potential adversaries, who were invited to acknowledge this overlordship in the ritual. The parts of the horse symbolize different aspects of the universe so that tremendous power is invoked. The complicated and obscure rituals were presided over by the priests, the three symbols of the lotus leaf, the frog (for rain), and the golden man (for the sun) representing the Aryan dominance over the land and waters of India and the natural powers that sustain agriculture. The soma sacrifice was the most important and could last up to twelve years. Since the soma plant was imported from distant mountains, it had to be purchased. A ritual drama re-enacted this business and aggressive Aryan history by showing the buyer snatching back the calf, which was paid for the soma plant after the transaction occurs. The soma plant was then placed in a cart and welcomed as an honored guest and king at the sacrifice. Animals were slain and cut up in the rites before their meat was eaten. After various offerings and other ceremonies the soma juice is poured and toasted to different gods, and finally the text lists the sacrificial fees, usually goats, cows, gold, clothes, and food. Coronation ceremonies supported the inauguration of kings. The priests tried to keep themselves above the warrior caste though by praising soma as king of the Brahmins. Waters were drawn from various rivers to sprinkle on the king and indicate the area of his kingdom, and he strode in each direction to signify his sovereignty. The king was anointed by the royal priest, giving some water to his son, the designated prince, and ritually enacting a raid against a kinsman's cattle, once again affirming their history of conquest. The booty was taken and divided into three parts for the priest, those who drank, and the original owner. A ritual dice game was played, which the king was allowed to win. The king then rode out in his chariot and was publicly worshiped as a divine ruler. Agricultural rites were common and regular, and chariot races were no doubt popular at some of the festivals. The Purusha (person) sacrifice symbolized human sacrifice, which may refer back to the time when a hunting and pastoral people did not allow their enemies to live because of the shortage of food. However, in an agricultural society more labor was needed and could produce surplus food. The Purusha sacrifice recognized 184 professional crafts and guilds. Finally the highest sacrifice was considered to be the Sarvamedha in which the sacrificer offered all of his possessions as the fee at the end of the ceremony. The last chapter of the Yajur Veda is actually the Isha Upanishad expressing the mystical view that the supreme spirit pervades everything. This society was highly patriarchal, and the status of women declined, especially as men often married non-Aryan women. Women did not attend public assemblies and could not inherit property on their own. Polyandry was discouraged, but polygamy, adultery, and prostitution were generally accepted except during certain rituals. A sacrificer was not allowed to seek a prostitute on the first day of the sacrificial fire, nor the wife of another on the second day, nor his own wife on the third day. The priests placed themselves at the top of the caste system as they supervised a religion most of the people could not understand without them. After the Atharva Veda was accepted, each sacrifice required at least four priests, one on each side of the fire using the Rig, Sama, Yajur, and Atharva Vedas, plus their assistants. After the wars of conquest were completed and the warrior caste settled down to rule, the priests were needed to sustain social stability. Yet in these times the caste system was much more flexible, as it is indicated that one should not ask about the caste of a learned man. The Brahmins, as the priest caste was called, had three obligations or debts to pay back in life: they paid back the seers by studying the Vedas, the gods by offering sacrifices, and their fathers by raising a family. Like their European ancestors the Aryan warriors considered themselves above laboring for food and so organized society that food would be provided for them. One ethical duty later found in the epics was that of taking care of refugees, probably because as marauding raiders they had often been refugees themselves. The priests assured their livelihood by making sure that penance through religious ritual was a prime social value.
Atharva VedaThe latest and fourth Veda is in a different category. For a long time many referred to only three Vedas, by which complete ceremonies could be conducted with the Rig hotr reciting, the Sama udgatri singing, and the Yajur adhvaryu performing the ritual. Even later the Atharvan Brahman's part was often performed unaccompanied by the other three priests. Also much of it draws from the customs and beliefs of pre-Aryan or pre-Vedic India. The Atharva Veda is much longer than the Sama and Yajur and only about a sixth of it is from the Rig Veda. The Atharva Veda is primarily magical spells and incantations. The line between prayer and magic and between white and black magic is usually drawn by ethical considerations. The bheshajani are for healing and cures using herbs to treat fever, leprosy, jaundice, dropsy, and other diseases. The Aryans looked down on doctors and medicine, probably because the natives were more skilled in these than they. Other more positive spells were for successful childbirth, romance, fecundity, virility, etc. The negative or bewitching spells were called abhichara and attempted to cause diseases or harm to enemies; often they were aimed at serpents and demons. The sorcery is ascribed to one of the authors, Angiras, whose name is related to Agni (Cf. Latin ignis), the divine messenger and possibly a distant cognate of the Greek word for messenger, angel. Another author, Atharvan, derives from the old Iranian root, atar, meaning fire. The third author, Bhrigu, was the name of a tribe which opposed Sudas in the battle of ten kings in the Rig Veda, and his name has also been related to a Greek word for fire. The fourth author is Brahman, the name which was given to the Atharvan priest, which eventually became so sacred that it was used as a name not only for the priestly caste but even for God the Creator. In addition to physicians the Vedic Aryans also held in contempt Atharvan astrologers as well as magic, but from this came not only astrology but also the beginning of Ayurvedic medicine. Like most ancient peoples they also believed that the main cause of disease was evil spirits, possession, or what we would call psychological factors. The magical elements, particularly the abhicara, and the subjects of healing, herbs, and cooking, which were mostly in the woman's domain, made the Atharva Veda obnoxious to many Vedic priests. However, these rituals were very popular, and the brahman priest's share of the fees soon became equal to the other three priests' combined. Eventually this shamanic tradition had to be incorporated into the Vedic religion, especially later when it faced the new challenges of Jainism and Buddhism. The Brahmin caste became even stronger, and their wealth can be seen by the belief that the cow by right belonged exclusively to them. Taxes were collected probably by the warrior Kshatriya caste from the Vaisya artisans, farmers, and merchants. The Sudra workers were too poor to be taxed, and the Brahmins were exempt. One verse (Atharva Veda 3:29:3) describes heaven as "where a tax is not paid by a weak man for a stronger." Marriage ceremonies are included. Here is a brief example:
I
am he; you are she. According to the Atharva Veda (5:17:8-9), a brahman could take a wife from the husband of any other caste simply by seizing her hand. Book 18 contains only funeral verses. There are coronation rites for kings, though the prayer is that the people will choose the king, usually already selected by heredity or the council. Philosophy and abstraction are creeping in, as there are two hymns to the deity of time, and kama (love, desire, pleasure) is praised as "the first seed of the mind" that generated heaven. (Atharva Veda 19:52) Let us conclude this section on the Atharva Veda with some selections from its beautiful hymn to the Earth as a sample of the more positive expression of the Vedas:
High
Truth, unyielding Order, Consecration,
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